英语翻译爵士乐的根源 爵士乐来源于布鲁斯,一种从前居住在美国南部的非洲奴隶以及他们的后代们的民间音乐.布鲁斯深受西非文化和音乐传统的影响,这些奴隶也逐渐成为移居到城市的黑人

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英语翻译爵士乐的根源 爵士乐来源于布鲁斯,一种从前居住在美国南部的非洲奴隶以及他们的后代们的民间音乐.布鲁斯深受西非文化和音乐传统的影响,这些奴隶也逐渐成为移居到城市的黑人

英语翻译爵士乐的根源 爵士乐来源于布鲁斯,一种从前居住在美国南部的非洲奴隶以及他们的后代们的民间音乐.布鲁斯深受西非文化和音乐传统的影响,这些奴隶也逐渐成为移居到城市的黑人
英语翻译
爵士乐的根源
爵士乐来源于布鲁斯,一种从前居住在美国南部的非洲奴隶以及他们的后代们的民间音乐.布鲁斯深受西非文化和音乐传统的影响,这些奴隶也逐渐成为移居到城市的黑人的音乐家.
爵士乐的真正起源是贫穷.1865年,美国内战结束,往日黑人奴隶获得了自由,但是生活依然困苦.他们多数是文盲,唯有靠自己故土培植出的音乐娱乐自己.劳动的号子和农田歌曲是在采摘棉花时候唱的,赞美诗歌和圣歌是在种族隔离的教堂里聚会时唱的,而即兴之作则是独唱歌手在一只班卓琴伴奏下吟唱的.在教堂中,黑人牧师接用英国领唱方式来解决唱歌不懂字的问题.
上世纪之交流行的音乐会标准的形式,也就是当时军乐团和舞曲乐队的音乐影响了最早的爵士乐的主流表达方式.这些音乐的乐器:铜管乐器,簧管乐器和鼓成为了爵士乐的基本乐器
jazz的性格即自由、即兴、随意,所以乐器没有什么定式或禁忌,一般我们常听到的有钢琴、爵士鼓、吉他、贝司、萨克斯、小号,其他常用的还有长号、小提琴、单簧管等.爵士乐发展到今天,和其他音乐一样,进入了一个融合的时代,跨风格和跨种类的爵士乐很多,和古典音乐、民间音乐、摇滚、电子等各种音乐相结合,乐器使用也到了自由的境地.
Chick Corea是过去三十年间最重要的爵土乐音乐家.这个评价毫不夸张,因为在过去的三十年问,Chick Corea的音乐大大丰富了爵土乐舞台,他的风格几乎影响到每一位现代爵士乐音乐家.
从个性来看,考瑞阿是一位从来不安于现状,满足已经取得的成功的音乐家,他总是不断进取,在最近二十年里,他参与了几乎所有重要的爵士乐活动,始终占据爵士乐流行的最前沿.而今他对于爵士音乐本身的认真求实的探索精神从未减弱过.

英语翻译爵士乐的根源 爵士乐来源于布鲁斯,一种从前居住在美国南部的非洲奴隶以及他们的后代们的民间音乐.布鲁斯深受西非文化和音乐传统的影响,这些奴隶也逐渐成为移居到城市的黑人
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一、Woodwinds: 木管乐器
1.Piccolo 短笛
2.Flute 长笛
3.Soprano Recorder 高音竖笛
4.Oboe 双簧管
5.English Horn 英国管
6.Bassoon 大管
7.Contrabassoon 低音巴松
8.Clarinet in Eb 降E调单簧管(小黑管) <...

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一、Woodwinds: 木管乐器
1.Piccolo 短笛
2.Flute 长笛
3.Soprano Recorder 高音竖笛
4.Oboe 双簧管
5.English Horn 英国管
6.Bassoon 大管
7.Contrabassoon 低音巴松
8.Clarinet in Eb 降E调单簧管(小黑管)
9.Clarinet in A A调单簧管
10.Clarinet in Bb 降B调单簧管
11.Bass Clarinet 低音单簧管
12.Soprano Saxophone 高音萨克斯
13.ALto Saxophone 中音萨克斯
14.Tenor Saxophone 次中音萨克斯
15.Baritone Saxophone 上低音萨克斯
16.Alto Flute 中音长笛*
17.Bass Flute 低音长笛
18.Oboe d' Amore 双簧管的一种
19.Piccolo Clarinet 高音单簧管*
20.Alto Clarinet 中音单簧管(Eb调的,属于低音单簧管)
21.Contrabass Clarinet 倍低音单簧管
22.Descant Recorder 高音竖笛
23.Alto Recorder 中音竖笛
24.Tenor Recorder 次中音竖笛
25.Bass Recorder 低音竖笛
26.Bagpipes 风笛
27.Basset Horn 巴赛管(单簧管)
28.Panpipes 排萧
二、Brass: 铜管乐器
1.Cornet 短号
2.Trumpet in Bb 降B调小号
3.Trumpet in C C调小号
4.Flugelhorn 夫吕号(行进乐队常用)
5.Horn in F F调圆号
6.Trombone 长号
7.Tenor Trombone 次中音长号
8.Bass Tromone 低音长号
9.Baritone(T.C.) 次中音号
10.Baritone 次中音
11.Euphonium 小低音号
12.Tuba 大号
13.Bass Tuba 低音大号
14.Piccolo Cornet 高音短号
15.Piccolo Trumpet in A A调高音小号
16.Bass Trumpet in C C调低音小号
17.Alto Trombone 中音长号
18.Contrabass Trombone 倍低音长号
三、Pitched Percussion: 有音高打击乐器
1.Timpani 定音鼓
2.Bells 排钟
3.Glockenspiel 钢片琴
4.Crystal Glasses
5.Xylophone 木琴
6.Vibraphone 颤音琴
7.Marimba 马林巴琴
8.Bass Marimba 低音马林巴琴
9.Tubular Bells 管钟
10.Chimes 钟琴
11.Steel Drums 钢鼓
12.Mallets 三角木琴
四、Percussion: 小打击乐器
1.Percussion 小打击乐器组
2.Wind Chimes
3.Bell Tree 音树
4.Triangle 三角铁
5.Crotales 响板
6.Finger Cymbals 手指小镲
7.Sleigh Bells 马铃
8.Cymbals 大镲
9.Cowbell 牛铃
10.Agogo Bells (由两个锥型铁筒组成,比牛玲音高)
11.Flexatone
12.Musical Saw 乐锯
13.Brake Drum 闸鼓
14.Tam Tam 大锣
15.Gong 锣
16.Claves 响棒
17.Slapstick 击板
18.VibraSlap
19.Sand Block 沙轮
20.Ratchet 齿轮剐响器
21.Guiro (木制,用铁棍剐)
22.Cuica (发出的声音象狗叫的拉丁乐器)
23.Maracas 沙槌
24.Castanets 响板
25.Wood Blocks 盒棒
26.Temple Blocks 木鱼
27.Log Drum 木鼓
28.Tambourine 铃鼓
29.Whistle 哨
30.Siren 汽笛
31.Jawbone
32.Anvil 乐钻
五、Drums: 鼓
1.Drum Set 架子鼓
2.Bongo Drums 邦加鼓(用手指敲的小鼓,夹在两腿间)
3.Timbales 蒂姆巴尔鼓
4.Conga Drums 康加鼓(橄榄型)
5.Snare Drum 小军鼓
6.Quad Toms 4组鼓筒鼓
7.Quint Toms 五组筒鼓
8.Tenor Drum 次高音鼓
9.Tom Toms 筒鼓
10.Roto Toms 轮鼓
11.Bass Drum 低音鼓
六、Plucked Strings: 弹拨乐
1.Harp 竖琴
2.Guitar 吉他
3.Scoustic Guitar
4.electric Guitar 电吉他
5.Banjo 班卓
6.Bass 贝司
7.Acoustic Bass 非电贝斯
8.Electric Bass 电贝司
9.String Bass 弦贝司
10.Mandolin 曼陀林
11.Lute 琉特琴
12.Ukulele 夏威夷四弦琴
13.Zither 齐特尔琴
14.Sitar 锡塔尔琴
七、Keybords: 键盘
1.Piano 钢琴
2.Organ 管风琴
3.Harpsichord 大键琴
4.Celesta 钢片琴
5.Accordion 手风琴
6.Clavichord 古钢琴
7.Harmonium 脚踏式风琴
8.Synthesizer 电子合成器
八、Strings: 弦乐
1.Violin 小提琴
2.Violin Ⅰ 小提琴1
3.Violin Ⅱ 小提琴2
4.Viola 中提琴
5.Cello 大提琴
6.Violoncello 低音提琴
7.Contrabass 低音提琴
8.Double Bass 倍低音提琴
9.Solo Violin 独奏小提琴
10.Solo VIola 独奏中提琴
11.Solo Cello 独奏大提琴
12.Solo Bass 独奏低音提琴
13.Viola d' Amore
九、Handbells: 手铃
1.Handbells 手铃
2.Handbells(T.C) 手铃(中音)

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The root of jazz
Jazz comes from Bruce, a former resident in the United States southern African slaves and their future generations of folk music. Bruce deeply traditional music of West African c...

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The root of jazz
Jazz comes from Bruce, a former resident in the United States southern African slaves and their future generations of folk music. Bruce deeply traditional music of West African culture and the impact of these slaves has become migrate to the cities of black musicians.
Jazz is the true origin of poverty. In 1865, the United States end of the civil war, past black slaves were free, but life is still difficult. Most of them are illiterate, can only rely on our own native land培植出music entertainment themselves. The son of labor songs and farmland is time to sing in the cotton picking, and the hymn of praise poetry in the apartheid gathered at the church to sing, and the improvisation is the solo singers for a班卓琴accompaniment in the sang. The church, the black pastor with the United Kingdom to sing songs do not know how to resolve the issue of the word.
At the turn of the century pop concert in the form of standards, which is then military band and dance band music influenced the mainstream of the earliest jazz expression. These musical instruments: brass instruments, wind instruments and drums spring became the basic instruments of jazz
That is the character of free jazz, improvisation, free, so there is no set of musical instruments or taboo, the general We often hear a piano, bass drums, guitar, bass, saxophone, trumpet, there are other commonly used trombone, violin, clarinet, and so on. Jazz development today, and other music, a fusion entered the era of cross-species cross-style jazz and many, and classical music, folk music, rock, electronic music such as combining the use of musical instruments also to the free state.
Chick Corea in the past 30 years the most important爵土Le musicians. This evaluation is not an exaggeration, because in the past 30 years asked, Chick Corea's music greatly enriched爵土music arena, his style affects almost every modern jazz musician.
From personality, Corea is a never complacent, has been made to meet the successful musician, he always keep making progress, in the recent two decades, he participated in almost all the major jazz events, and always occupy the forefront of jazz pop. Now he jazz music itself seriously and realistic spirit of exploration has never been weakened.

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